Though visually stunning, this book ends up at war over the importance of detail and accessibility.

Speaking of composition, Druillets works like Lone Sloane, Salammb, and Gail gave him. In 1980, French comics artist and writer Philippe Druillet (Lone Sloane, Urm the Mad, City of Flowers) published Salammbô, the first in a trilogy of comics based on Flaubert’s book, with the subsequent volumes being Carthage (1982) and Matho (1986).

The intricacy of Flaubert’s original plot is lost and often unreadable due to the sheer volume of information and needless story components. RM Rhodes presents commentary on the work of Philippe Druillet. Despite Druillet’s eye-catching use of high-contrast colors and masterfully intricate line work, the story is unfortunately marred by wordiness and excesses of world-building. 1 (The Philippe Druillet Library) Kindle & comiXology. But the returning Yearl promises future resurrection. tagged philippe druillet salammb insane illustration directmessagetea liked this. After interrupting a feast where Salammbô is present, Sloane becomes involved in a war between unpaid mercenaries and their employers in Carthage that ultimately leads to both his and Salammbô’s deaths. Sloane then finds himself in Carthage, hoping to conquer it after glimpsing the face of the beautiful Salammbô, sacred virgin of the city. In a cosmic landscape, Sloane betrays and kills his own crew aboard his space ship while looking for his friend Yearl. Druillet offers a new science-fictional take on Flaubert’s 1862 protoheroic story involving the Punic Wars, creating a staggeringly vibrant but roundabout tale.

Philippe druillet salammbo